Save Music in Chinatown 18 with The Gears, Gitane Demone Quartet, Marriage Material, The Castelalas, and The Linda Lindas, plus murals at Castelar!

At the tail end of six years and eighteen Save Music in Chinatown all-ages matinees to raise money for Castelar Elementary’s music program, you’d think we’d have it all figured out. Paying tribute to the neighborhood’s old Hong Kong Cafe, where The Bags, Weirdos, X, Black Flag, Germs, and Go-Go’s played during L.A.’s first wave of punk, check. Killer bake sale and cool raffle, check. Exposing kids who can handle it to DIY culture and seeing some of them even form a band, check. The project that Wendy and I started with inspiration from our daughter Eloise and help from our friend Nate has outlived our expectations, become a small but loyal community, and exceeded our dreams. Check out the insane list of L.A. punk legends who have become friends: Adolescents, Alice Bag, Phranc, The Dils, Channel Three, The Crowd, Mike Watt…


Just two weekends ago, how lucky were we to have The Gears play for us a second time, lugging their gear up and down the long red stairway to help out the kids of Chinatown and bringing along their new guitarist and our old friend Rikk Agnew, too. And if you weren’t moved by seeing a mob of little kids knowing exactly what to do when the pride of Glassell Park played “Don’t Be Afraid To Pogo,” off their essential 7″ single that was released 40 years ago during the first wave of L.A. punk… Well, you were probably attending the wrong show.

I was reminded that we grownups are just as lucky as the youngsters by my friend Bert, who was from visiting from Scotland and remarked that he only dreamed of seeing The Gears when he was a punker growing up and playing in bands in Washington, DC.  The Gears are one of those legendary L.A. punk bands that never toured or gained as much attention as they deserved, and we gotta see them every chance we get! You never know when when they’ll play the last chord–I thought it was last year.


Our co-headliner was The Gitane Demone Quartet, featuring members of Christian Death and Screamers. The all-star death rock combo didn’t lighten up their set one bit for a rare appearance in broad daylight and actually ended it by dedicating “Eva Braun” and “We Must Bleed” to the punks! I am super proud that the children at our shows don’t need cleaned-up Kidz Bop versions of rock songs, and can handle gnarly tributes by lifers from L.A.’s underground.


Special thanks to Rikk Agnew, who plays in both The Gears and GDQ. He was into the idea of playing the double-header for the cause right from the beginning, and helped recruit both bands to volunteer their time and noise. Please don’t tell anyone that Rikk is not only a survivor and a legend of the L.A. punk scene but also a softie!

Marriage Material went on first, and I asked them to play because most of them would have attended as friends and supporters anyway. Also, I hadn’t seen them since Jenae began lending her vocals and holy crap! How did they get even more punk? And will we ever get to buy their awesome second EP on wax? Check them out! And subscribe to RazorCake!


I would like to thank the grownup performers for allowing the bands featuring children go last. They really should have gone on first, but one member of The Linda Lindas had dance rehearsals that afternoon and another was in the middle of ninth grade finals! The Castelalas made a guest appearance right before them and, after raising money for Castelar’s music program for years, it was pretty awesome to have a band with third, fourth, and fifth graders from the school taught by their awesome music teacher, Matt Brundrett. Eloise formed the Castelalas to play a talent show and, after practicing for months, they were too much fun not to ask them to play again.


As for The Linda Lindas, I have a feeling that when it’s all over our Save Music in Chinatown shows will be nothing but a trivia answer that only their hardest core fans know. Eloise went from being mascot to flyer artist to guest singer to member of the band with her cousins Lucia and Mila and their friend Bela. How cool is it these girls have not only had a blast playing super-fun garage rock covers of punk ‘n’ roll, but have shared our Chinatown stage with the  likes of Phranc, Channel 3, Alley Cats, and The Dils? And now The Gears and GDQ!


Maybe some of you saw The Linda Lindas with Best Coast and Money Mark at the Jackie Rocks! benefit in February. Or open for Bikini Kill at the Palladium in April. Or have tickets to the sold-out show with Bleached in July or their date with Alice Bag in August. If we’re lucky, they’ll come back to play in Chinatown again. It’s been as amazing as it was unplanned and unexpected to see them grow in the space that we have carved out, forming a multigenerational underground with first wave punks.


While The Linda Lindas and Castelalas represented a youth movement, there was also an art component added to our latest Save Music in Chinatown weekend. For the last several years, my friend Erik Caruso has been attending our benefit concerts for Castelar and Wendy and I have been attending the year-end art shows and noise jams that he has been organizing at Harry Wirtz Elementary in Paramount, where he teaches. This year, Erik set it up so our efforts would finally join forces.

Erik’s project entails optional contemporary art lessons and projects for fifth graders throughout the school year, capped off by an art show featuring student work and pieces by contemporary artists who participate via video or attend in person, and a noise jam with artists, many of whom are musicians, and guest players. This time around, Tim Kerr, Mike Watt, Randy Randall, Ray Barbee, Mark Waters, Hagop Najarian, and others played “Minor Threat,” and Ian MacKaye even sent a video message to Erik and the students.

For years, Erik had the artists paint murals at his school as well, but lately he has been bringing artists to other schools and Castelar was this year’s destination. It was cool getting to hang out with Erik and the artists, a lot of old friends and now some new ones. Many of the crew were able to attend the Save Music in Chinatown show and most returned to Castelar a couple of mornings later to field questions from students about the murals. That provided an occasion for one more performance by The Castelalas, and it was a thrilling revelation to see so many students having their minds blown by cool art and music. While I don’t foresee our punk rock matinees turning into kiddie shows, I hope more children in Chinatown will be open to enjoying loud music, forming bands, and getting into DIY culture in general.

Not more than half a year ago, we thought that this could have been our last show with Eloise completing fifth grade. But it turns out Castelar will be adding a sixth grade next year. And then a seventh and eight grade after that! So unless the shows stop being fun, we’ll keep organizing them–especially since it looks like education and the arts won’t stop being underfunded any time soon. Hope to see you in the fall.

Return to Wirtz Elementary with Hi-Dutch, Hanai Yusuke, the guys from CHILL! PHOTOxART ZINE, and stoked schoolkids…


What an awesome thing that my friend Erik Caruso coordinates for the fifth graders at Wirtz Elementary every year. It’s a ton of extra work for an already overloaded teacher to take on, the children make the art in their free time, the artists’ participation is voluntary, and other faculty and administrators put themselves out on a limb for the project, too. But the results are as invigorating as the message is important. Everyone gets a charge out of inspiring everyone else and art belongs in the lives of everyone, everywhere, all the time–not just in museums, galleries, and studios.

Read more at the link below:

Rich Jacobs art show at Proper LBC


To celebrate the release of new Vans that feature his artwork, my friend and DIY artist Rich Jacobs had an art show at Proper LBC last Monday. I thought the pieces, which were Rich’s largest yet, deserved to be appreciated for more than one evening for a handful of friends. So I took some pictures and asked the Oakland-based painter, doodler, and zinemaker some questions.

Our mutual pal Erik Caruso, who was around for the painting, was describing the process to me and it sounds like it was painful.
Well, normally my process is to paint with the canvas or wood on a wall vertically. In this case, the pieces were so tall (15 feet) that I had to paint them on the ground in a parking lot behind my friend’s warehouse. Imagine bending over constantly for a week while you make seven pieces that are like 15 feet by 12 feet or 4 feet by 15 feet. It was kinda insane, but I am almost recovered now after a few days.Sometimes, you gotta sacrifice comfort for your art. Usually, actually. Anyhow, it was worth it. I think. At the end, we had to hoist one or two of the large pieces on top of huge tumbleweeds that had blown in to the parking lot. I used them almost like a table since I couldn’t bend anymore. Luckily, that worked out.


I love how the pieces were huge and ambitious yet retained a real DIY vibe with a spontaneous feel and rough edges. You used Home Depot drop cloths as canvasses and we can even see your footprints on them. Am I far off?
You are not far off. They were very large but very loose. I wanted to make to them kinda feel like massive drawings, and I think it worked. My style is quick and kinda gestural, and keeps the spirit of the original line or sketch without too much revision. Whatever comes out is what you see, generally. I like to keep it raw and do very little touch up very rarely.

Did you know exactly what you were going to paint or was it totally freestyle? A mix?
I never really plan out large work, and I had no idea what I was doing. I like to surprise myself and get something new or something that I didn’t expect to happen or be there. Every time it is different.

Were the pieces up just for one day? Will they be seen again?
They were up for a few hours that night for the launch. Maybe they will see the light of day again. I am not sure where–somewhere with very tall walls, that is a given.


The prints, the zines, the CD of music you made with Tim Kerr–all of those touches were so nice. Please tell me why you did so much when a lot of us would have been happy just to see the art.
I wanted to make the shoe release fun and less of a commercial thing. I wanted to surprise folks with a few takeaways that were homemade to inspire them to make stuff. Rather than just be about me or my shoe designs, I wanted to give some hope or inspiration to make things yourself.

I think those items were unexpected, like the sculptures I made for the event. It was really the first time I had ever made or shown those, and I like to put new energy out there each time, if possible, and give those who follow my work some new information or things to consider. Not to assume there are lots of people caring about that, but I definitely do. I personally like it when an artist mixes it up. It makes him or her more interesting and last longer in terms of scope, etc.


You told me you visited some local record stores during your stay. Any scores?
I usually go to too many record shops, but this trip was kinda all about the work. I did manage to make it to one or two, though, and didn’t really come up on anything. But I have too many records as it is, and just like looking at the sleeves. That’s more than half of it for me; seeing new art or designs is just as fun as buying new records.I love it when bands go all-out with their graphics and art. The whole package matters. I am a weirdo, and I can’t stand bad computer and two-second layouts. In my opinion, designs always look better when they are made by humans instead of machines. Or at least it helps if the designer is aware of life or humans. Are computers there yet?

Anything else?
I hope these answers answer the mysteries and puzzles of life. Just kidding. Go easy, and remember to take the time to take time.


Left to right: Skater/musician/photographer Ray Barbee, me, Rich Jacobs, Jordan Cooper of Revelation Records, Tristan Caruso of Proper LBC, photographer/musician Ben Clark, artist/musician Sandy Yang.

Follow Rich at and dig the shoes at